The recording was re-issued on 180 Gram vinyl in 2009 by Doxy Music it was manufactured in Europe. Dick Richards - triangle on 3 tom toms on 9 backing vocals on 2, 5, 6 About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators.Rudy Pompilli – tenor saxophone on 11, 12."Dim, Dim the Lights (I Want Some Atmosphere)"īix Reichner, Mildred Phillips and Jimmy Ayre (Were Gonna) Rock Around the Clock by Bill Haley & His Comets sampled Bill Haley & the Saddlemens Rock the Joint. "Thirteen Women (And Only One Man in Town)" How to play 'Rock Around The Clock' Font 1 +1. Rock Around The Clock Bill Haley & His Comets. The album was recorded in the Decca Records studio located in the Pythian Temple in New York City. ROCK AROUND THE CLOCK As recorded by Bill Haley & His Comets. Some non-American releases of the album, such as that on the Festival Records label of Australia on FR12-1102, promoted the album as being the soundtrack for the Rock Around the Clock film, owing to six of its tracks being included in the film. It was also the first Haley album to make the Billboard charts, and was one of the first album releases of the rock and roll genre to do so.
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Unlike the previous release, which was in the 10-inch format, the new album was a full 12-inch release and included additional tracks from 1955. All of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll. Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. Rock Around the Clock is the third album of rock and roll music by Bill Haley and His Comets. The sound matches the quality of the Bear Family box covering this period in Haley's career.April 12, 1954–September 23, 1955, Pythian Temple studios, 135 West 70th Street, New York City The three bonus cuts, "R-O-C-K," "The Saints Rock & Roll," and "See You Later, Alligator," are an excellent match for the original dozen songs and just extend the driving, exciting beat of the LP by another eight minutes, which makes it all the more valuable. Frannie Beecher handled most of the guitar action on the album, and he soars on "Happy Baby" and "Birth of the Boogie," among other cuts here - even people who aren't sold on Haley have to class this as one of the first great white guitar records ever released, and Billy Gussack's drumming is also worth the price of admission. Boogie" comes out in sharp relief, and Danny Cedrone's guitar solo is almost in the room with you, and that's practically the least of the songs here. On the 2004 remastered edition, even the triangle on "A.B.C. Now it's back, a little more than 48 years after its first appearance, and it never sounded better indeed, the only time it sounded fresher was in late 1955 and early 1956, when its music was all new to most listeners. The first great LP of the rock & roll era, Rock Around the Clock never got the recognition it deserved from historians, mostly owing to the neglect that attached itself to Bill Haley in the decades after his heyday, and the fact that its biggest hits were parceled out to various compilations. If this reissue doesn't confirm precisely how cool Bill Haley was - yes, Bill Haley, checkered jacket, spit curl, and all - then nothing will.
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